Wednesday, 24 April 2013

Studio Shoot

My studio plan

As I consider myself an ameteur in photography, I did not pay too much attention to the assortment of Light Shaping Tools. The main source of light came from the softbox in front of the models. Thanks to it I was able to create a beautiful soft light that was ideal for this kind of studio shoot. On some occasions we also used a reflector. But it was more of an experiment to see how we can shape the lights. The pink background was not our choice. I don't remember very well, but it might have been chosen by one of the teachers. I am not saying that it was a bad idea, it just was not my style.



The aim of my studio shoot

The main task of this photo shoot was to take pictures of models in costumes, to later use them for our Chi Fest project. Since I was selected as the the main photographer in this photo shoot, I have been also in charge of giving the models advice for their posing. My responsibilities also included the balance and setting of lights and reflectors. It is funny, but I almost felt like a real artist by giving them orders which they later obeyed. The conclusion was, that I got photos which spoke to me. 
 Juliet and Ania prepare themself for the photo shoot...
Having fun was essential 

Images I have chosen to edit

From a huge selection of photos I chose only a few, which may work well with the aim of this project. In my mind most of them were perfect to work with. However due to the limited time I had to focus only on the photos with a clear and easy composition. It is also worth mentioning that the pictures I have chosen were already giving me some hints what to do with them.

Health and Safety- I wouldn't call it a 100% safe area to work. Since we brought many costumes and tools to make this photo shoot interesting, the room was literally overloaded with un-necessary objects compiling around. Since we had a lot of fun there it got a little bit chaotic. But there was no real danger visible.




My edits

As mentioned above the photos were almost ready. I didn't had much use of photshop. I used the crop tool to normalize the composition. Brigntess and Contrast have been essential like always to seperate the model from the background. Finally I rasterized the picture with the raster tool. The Union Jack is a visually pleasing design, so I merged it into the picture. Afterwards I played a bit with my faovorite tones.
Looks quite good in my opinion. Perfect combination of colours. Brightness and contrast.
 This design would speak perfectly to the youth. Quite good concept.
It doesn't fit to the Chi Fest poster. I should have add one colour to it.
More colours and a bit more life. The british flag fits the composition well.

Evaluation

I had in mind to create a design which would fit the topic of Chi Fest or the now renamed ''Music and Food Festival''. My idea was to create a poster which would speak to the everybody by promoting its originality. I wanted to create an ''eye-catcher'' with a bit of surprise behind it. The female models were quite young and good looking, so I rejected the idea of using males. The costumes that were available brought the idea of a festival into motion. In other words the studio plan had been set to very high standards. The photography equipment was available and ready to use. The teachers were ready to assist us at all times. I did many basic mistakes. Starting with the equipment, I was not able to set the settings on my Canon camera. I later solved this problem thanks to the teacher and my friends. The softbox was quite easy to handle, same as the reflectors. However I couldn't deal with the costumes  the models were wearing. I felt the need to have a balance between the pink background and costume colours. Overall we overcame this problems by just having fun. The final designs are not ready yet, but I feel that they are progressing in a good direction.

Tuesday, 16 April 2013

Walter Schels and Beate Lakotta

Walter Schels and Beate Lakotta


I didn't know these photographers before. Literally a minute ago i googled ''dead photography'' and this is what I got. What amazed me about these photographs is that they are divided in two parts: alive and dead. The models were people with deadly diseases, so they died shortly after the alive part was made. The photographers Walter Schels and Beate Lakotta are not discovering America with this kind of photography. Post-mortem photography existed for hundreds of years and was always a way to remember someone. Any kind of photography that takes your attention is worth mentioning.
There are more of these. Altogether some may get depressed after
looking at them. For me it is a way to understanding life.

Jan Saudek



I came across this photographer while working on the ident projects.
The Czech photographer is well know on the international scene for his moraly degrading exhibitions.
His pictures stand out due to the amount of sexual content in them. The backgrounds he uses are often morbid (like a scratched wall in the basement). He does not choose models from a model agency. He mainly focuses on the natural beauty of people, that some might conider as ugly. What I like the most is his attitude towards the mainstream (which apparently does not exist). There is always a story behind a photo. His courage and vivid imagination make him a unique photographer.
Freakshow-Insane and vivid
                                                        Perfect choice of tones (Hard light) 
                                                 An incredible scenery and a strong message
                                                                             behind it.
                                                     This one reminds me of Bill Brandt.
                                        One the first plan -the arse. Reminds me of a painting
                                       There is more I would like to show from him. I am not sure
                                                               if this is a happy or a sad photo.

Names of studio equipment


Tuesday, 12 February 2013

View point, angle and crop...
The main idea was to attract more attention by simply photographing the main target from a different point of view. Simple objects that we see everyday, and have no greater visual value to us, might become very interesting. A different viewpoint of the camera angle is an important factor in a good composition. By cropping the photograph we may determine what is important or simply  manipulate it the way that it becomes more attractive for the viewer.


 
The radiator from a different point of view. Very effective.
I am a genius. (Soft light)
The door handle of hate.
The light switches look so awesome.
Thats one naughty bastard.
I have no idea what I was thinking here...

Lame
Three Dimensional Photography


During this lesson we have been taking photos with a wide angle lens. To achieve the best effect with a dimensional effect, we had to make photographs by focusing on the foreground, midground and background. This kind of photography is mostly used for landscapes and portraits.
The model is in the foreground, the metal container in the midground and the rest far behind in the background.

Same model (foreground and midground only)
The left side of the building in the foreground, the bush in the midground, and the rest in the background.

A part of my room. (Foreground only)

An example of a background photo. Fascinating.

Midground and Background.

Friday, 8 February 2013

Photography Umbrellas




Photography umbrellas are easy to setup and easy to carry. They are one of the best light modifiers for flash photography. During the lesson we have been experimenting by using different types of umbrella: White translucent umbrella, Silver reflective umbrella, and a Gold studio umbrella. Photography umbrellas are an essential tool for photographing good portraits. During the lesson we tried to experiment with them by positioning and aiming. I found it really easy to set them up, however I still had a few problems with my camera settings. Finally,  I had been oredered to set my defaults on ( F11,  ISO 100, and aperture 1/125). In the end I noticed that the umbrellas added a lot of depth to my models.